High standards and GUSTO
Click to listen to the audio version of this Daily Paradox.
When high standards are accompanied by GUSTO something that is excellent becomes great. Playing last night in the Singapore Arts Festival at the Esplanade, Singapore – now one of the world’s top concert halls – the Academy of Ancient Music cleverly featured the Korean singer Sumi Jo to add the ingredient that performed this miracle.
The Academy are internationally famous and those who appreciate Handel, Vivaldi, Albinoni and Purcell will already know them as outstanding, unique in their class. If anyone thought that ancient music might be a bit straight-laced or conventional such misgivings were quickly dispelled by Sumi Jo. With a voice potentially mirroring that of Kathleen Battle and a wardrobe to enchantingly upstage even the royalist of princesses, Sumi Jo brought to the performance a breath of fresh air and a touch of humanity that lifted the hearts of all those who heard her.
What is it that turns excellent into great?
The ingredients must be there, of course, in full. Like all great performances the preparation, the practicing, the hours of hard and often lonely work, all must be experienced if the pinnacle of performance is ever to be achieved. The Academy has been demonstrating these characteristics for years.
However, peak performance only becomes heavenly when those playing transmit to their audience a light touch of genius, a rapport that stirs the feelings of joy to the point of tears. Whether the pieces are popular or little-known there is one additional spice that completes the magic for performer and audience alike. I call it GUSTO.
Enthusiasm is the basis on which determination is built and enthusiasm itself is generated by encouragement. An attentive, respectful and fully committed audience is a good start for any performer – artistic, commercial, political or social. But there is something more than enthusiasm, something that manifests itself in sheer delight.
GUSTO is not a heavy-handed application of the rules; it does not come from age or from youth, from innocence or from experience. It comes from rapport, from being able to read the other person – or, in this case, the audience – and sense the mood. Its embryo is in self-deprecating laughter, in not taking ourselves too seriously, in being able to laugh with our audience.
It turns a smile of affection into a laugh of love and a performance of beautiful music into something we will never forget. Thank you, Academy, and thank you Sumi Jo. A combination made in heaven. No wonder the angels are singing.
